Where it started
Paleontology-author, science communicator and friend Riley Black asked me to design a series of tattoos a few years ago, based on the Morrison Formation predators: Allosaurus, Ceratosaurus and Torvosaurus.
Riley was quote specific about wanting the skeletons in the death pose: some fossils are found in a distinct arched-back pose, most likely due to their spine being close to the surface of their skin, and drying out and tightening after death. I played with a couple of variations of black line designs, and we settled on an outline of the spine, ribs, and tail, and silhouettes of the skull and limbs. I added some distressed and broken bits, and even some hidden shapes of states where Riley has lived on one of them, thinking that even if someone copies the tattoo, it will remain specifically theirs.
I’ve always loved Dilophosaurus, ever since a childhood dinosaur book showed one sprinting and turning toward some fast-moving lizard prey. My childhood was in the late 70’s and 80’s, and Jurassic Park’s velociraptors hadn’t hit mainstream popularity yet. Most books focused on Tyrannosaurus, and one book I had, also showed the big bulky Gorgosaurus and Tarbosaurus. But here was this illustrated paperback, The MacMillan Book of Dinosaurs and Other Prehistoric Creatures with an illustration of Dilophosaurus by John Hamberger.
It had crests! It was fast! It looked more nimble than the big guys. It blew me away. It was something I hadn’t imagined before.
I sketched out the design using ArtRage 5, my favourite digital painting program, and used photos of two specimens for reference.