The Aura of Oil - classic Flying Trilobite

(This post originally appeared here on The Flying Trilobite back in November 2008.)
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The aura of painting exists in the mind of the viewer, and in some cases the mind of the illustrator when seeing their own work reproduced. The idea of paintings having an aura or presence is something that has fascinated me since university, as discussed last week. Some excellent comments were made by artists Sean Craven and Chris Zenga, check it out.

Okay so from my non-scientific anecdotal samplings and personal experiences (oh the sins against science I commit! I will say ten ATP-->ADP reactions in penance), I doubt the existence of original paintings having a quasi-mystical aura or emitting a presence to the viewer. You can read a bit more about this "aura of authenticity" from an art historical perspective 
here, and from the side of new age-laced artsy language here (10th paragraph), and here.

It's head-shakingly amazing how fear for loss of the aura is dovetailed with a fear of technology. 

Is there anything special or unique then, about an original painting that does not lie entirely within the biases of the viewer? In case of oil paintings, I say yes. And looking at last week's comments, Chris Zenga guessed the point of this week's Artwork Monday while thinking about a D.N.A Candle Vanitas painting I gave to him and his wife for their marriage (at rightoriginal post here). 

I love oil painting. I enjoy the scent of the oil, and the buttery consistency flowing 
together under a horizontally-held fan brush. And most of all, I love the depth glazing can bring about in the final work.

Oil painting differs from other types of painting in many ways. Oils do not evaporate as they dry like watercolour or acrylic painting; instead they absorb oxygen from the air. This is called a siccative quality. The way I think about this, is like the oxygen molecules are pineapple chunks being added to Jell-o in a confined bowl. Adding more will increase the density and stop the Jell-o from jiggling. I don't know that this is a chemically-apt description, so please feel free to tell me there's not room for Jell-o in the comments if I am mangling the science of siccatives.

For this reason, it's important that oil paintings are painted in thin layers with an increasing amount of oil in successive layers. It allows the oxygen to permeate evenly over the course of six months to a year after painting, and helps prevent cracking. The rule is referred to as "fat over lean".

So oil paintings, particularly by Renaissance and Baroque masters, contained many thin, mostly transparent layers of paint, each tinted with a little pigment. And herein lies the aura of a painting viewed live versus online.

When light hits all these layers of oil, it permeates each oily membrane and begins to reflect back out. But some photons will bounce back into the oil layers off of the pigments, and back to the lower layers before pinging back out of the painting, and onward to the viewers eyes. This optical effect literally creates a glow. It's also the reason for the incredibly deep blacks often found in the backgrounds of portraits.

So the illusion of depth in an oil painting can be profoundly eye-catching, and similar to looking at objects in water, the oil-glazes draw our eyes and captivate our pattern-seeking centers, making the paint feel alive. No unscientific aura necessary, just wonderful chemistry interacting on our biology.


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Original artwork on The Flying Trilobite Copyright to Glendon Mellow under Creative Commons Licence.

Forgotten art for a late night.



Taking apart a room due to some slight water damage. Listening to Stromkern (thanks Stephanie!) and Wolfsheim. Here's some of my slate pieces from my final school project scanned and converted to black and white. I almost put this image in my latest print collection, and then skipped it and forgot about it.


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Original artwork on The Flying Trilobite Copyright to Glendon Mellow
under Creative Commons Licence.

Hashtag: 10oclockart

Today's the first day of illustrator Russell Dickerson's fun idea: #10oclockart .  I heard about it last night through a conversation Russell was having with Eric Orchard on Twitter about Eric's recent post

Every day at 10 am, artists should post whatever they're working on, at whatever stage it's in;  on Twitter, Flickr, blogs, Facebook, where ever, and use the Twitter hashtag #10oclockart. Great fun!  Here's mine:  




Working on my donor drawings - almost all of them are done! The swirly one is far from finished. And here's my workstation and studio assistant this morning:


He's helping. And listening to DeadMaus.

Follow me on Twitter!  @flyingtrilobite


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Original artwork on The Flying Trilobite Copyright to Glendon Mellow under Creative Commons Licence.

Scumble #18 - Science-art is the future! Edition

Scumble:
"A painting technique in which semi-opaque or thin opaque colors are loosely brushed over an underpainted area so that patches of the color beneath show through." 
From The Artist's Handbook, by Ray Smith.  

Highlighting recent posts I found interesting, provocative, or otherwise caught my eye from the Science Artists Feed, and other sources.

Science-art is becoming an increasingly popular form of science communication and entertainment. Drawing from fine art, laboratory work, scientific illustration, concept art and more, watch how artists spread scientific literacy and play with the inspiring concepts in science. 



Make yourself a cup of joe,  put your feet up and enjoy the science-art and art techniques!


Click here for earlier Scumbles.


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World Science Festival 11: The Invisible Language of Smell - Bora Zivkovic with illustrations by Perrin Ireland, Scientific American's Guest Blog. Find more of Perrin Ireland's work at Small n Tender and Bora Zivkovic's at A Blog Around the Clock.

Using the iPad as a Portfolio - Darkstorm Creative: the Work of Russell Dickerson. A couple of years back, I blogged about the iPod Touch as a portfolio. Can't wait to get an iPad. Check out Russell's unsettling horror work while you're there.

"Picturing science" exhibit reveals the artistic beauty of scientific research - Alasdair Wilkins, io9.com.

ScienceArt-Nature-Home - Stanford. This in-process site looks promising, and check out the roster of contributors: includes Carel Brest van Kempen.

Networks are not always revolutionary - Cory Doctorow, The Guardian.

Hominid Skulls wearing Mexican Wrestler Masks - The Flying Trilobite. An example of a failed contract.

CaridianBCT - Quantum Cell Expansion System - XVIVO Science Animation Blog.

EXOSKELETONS...solo show in Melbourne - A Curious Bestiary - art by Kaitlin Beckett. I wish I could see this amazing work in person!

Titration! - Katy's Notebook.

L is for Lacewing - Curious Art Lab by Leah Palmer Preiss.

Art Talk with Marna Stalcup, The Right-Brain Initiative - Art Works.

Mathematics breathes new life into Escher's art - Jacob Aron, CultureLab.

Vintage Dinosaur Art: The Bird Hunter - Love in the Time of the Chasmosaurs.

Earliest art in the Americas: Ice Age Image of Mammoth or Mastodon found in Florida - ScienceDaily.

Of Paintings and Other Things - The Caw Box

Art and Science Team-up for Biophysical Journal - cover artist Klaus Schulten, biophysical society.

Immortal - Is this bioart?

Inter-active Broadcast: Illusion of Certainty - Sci-ence

Kinect for Windows SDK Coding Marathon - The Art of Wa.com

The Mysteryes of Nature and Art - BibliOdyssey. (hat-tip to Michael Barton!)

Evolution - Darryl Cunningham Investigates. Webcomic about evolution!


Pick of the Scumble:
Wallace and his Flying Frogs! - Alfred Wallace Website. Amazing art by Joanna Barnum. (Another tip of the hat to Mr. Barton!)

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Original artwork on The Flying Trilobite Copyright to Glendon Mellow under Creative Commons Licence.

Hominid Skulls wearing Mexican Wrestling Masks

Not every art project for a client sees the light of day. Here's an example from a few years ago.   
(I retained the copyright on the images even if the contract had gone through: in this case, I was never paid so I'm quite sure there's no conflict, and it's fair game to post these.)

The client had asked for a challenging tattoo design.

Up to you to judge whether or not these fit the bill. The concept was three different hominid skulls, each wearing Mexican Luchador wrestling masks. In black line: no colour, no grey scale. See?  Challenging. How do you bring out the masks on very specific human ancestral skulls without colour?
I got started by working on the hominid skulls and on the layout. Homo sapiens sapiens, Homo erectus tautavelensis and Australopithicus afarensis.

Deciding the layout of the three skulls.




Originally, I drew the concept in reverse by mistake;
three masks that look  like hominid skulls. 

I played with the drawing in Photoshop to get a different view of a "messier" ink style.

Now the challenge of overlaying cloth onto skulls,
and making the bold cartoon outlines found on Luchador masks.

Final submitted image. The Australopithecus on the bottom is wearing a half-mask.

There were more drawings than these few; I like to keep clients informed when working on a project and it's especially important for the personal work involved in tattoos. Ultimately, the project was never fully realized. But what do you think of the last image?  Does it read as hominid skulls wearing Luchador masks?


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 Original artwork on The Flying Trilobite Copyright to Glendon Mellow under Creative Commons Licence.

Icky and Ickier


The other day I threw this old oil painting of mine, called Pupating, into a standard Photoshop filter called plastic wrap or plastic bag or something. 




Using basic Photoshop filters can be considered a bit of an icky cheat in some illustration circles. Still; I think it adds something, don't you?

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Original artwork on The Flying Trilobite Copyright to Glendon Mellow under Creative Commons Licence.

Scumble #17 - Best Science-Art Links this week

Scumble:
"A painting technique in which semi-opaque or thin opaque colors are loosely brushed over an underpainted area so that patches of the color beneath show through." 
From The Artist's Handbook, by Ray Smith.  

Highlighting recent posts I found interesting, provocative, or otherwise caught my eye from the Science Artists Feed, and other sources. 


Time to slow cold-brew yourself a caramel bulee latte, put your feet up and enjoy the science-art and art techniques!


Click here for earlier Scumbles.

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Stop on Red: the Effects of Color May Lie Deep in Evolution - Science Daily. Inherited aversion to red as the study suggests, or convergent learning that red means blood by chimps and humans?

Fluid Dynamics: Watch as 'Mixed Color' comes back together right before your eyes - Geekologie. Somewhere, there's a grad student in a fine art program salivating at doing this with many automated jars in a gallery.

Scientific "proof" that abstract art is only 4% better than what a kid could do - Alasdair Wilkins, io9.com.

This is why we can't have nice things - Sci-ənce. Informative, demented webcomic.

Interview with Jim Robins - 
Dave Hone's Archosaur Musings. Darwin fans should check out the fun anachronistic cartoon at the bottom of the interview (should be young Darwin but what the hey - funny cartoon.)

How are art and human evolution related? - Greg Laden's Blog. Does neolithic cave art represent doodles, rituals or recipies?

GNSI Annual Exhibit Sneak Peek - Guild of Natural Science Illustrator's blog. Must see! Check out the bees.

Dino Brights! - Omegafauna. Artist/designer Sharon Lynn Wegner-Larsen makes all paleo folk jealous of her toys.

Butter Tarts - Trilobite Boy #6 - Trilobite Boy. My webcomic experiment continues.

nature/culture/nature/culture - Is this bioart? Sometimes I think this blog and my blog should discuss the terms science-art and bioart and then arm wrestle.

Scaphognathus crassirostris: A Pterosaur in the Historical Record? - David Orr, Love in the Time of the Chasmosaurs. Cryptozoology FTW!

Art and Human Evolution - for the Beaker and Brush series - Hybrids of Art and Science. Very cool and optimistic scienceart quote.

Summer, learning and children - Darkstorm Creative, the art of Russell Dickerson. I've followed Russell's art avidly for a while now.  Great post about encouraging children to explore.

WIP - baby elephant - Heather Ward Wildlife Art. Spooky at this stage! Great insight into technique.

I'm now a member of the IAAA! - LucyJain's Blog. Lucy is among the hottest new astronomy-artists out there -extend congrats and then gape slack-jawed at her tremendous gallery.

Painting Through the Universe: Eskimo Nebula - Katy's Notebook. Katy Chalmers is the other hot new astronomy artist out there, and, like Lucy Jain is one of the very best astronomy artists today. Why don't more astronomy artists blog?  I dunno. Follow these two though to space in new ways. Eskimo Nebula is gorgeous in a way abstract art can't touch.

David Johnson - lines and colors. Check out the portraits of Albert Einstein, Daniel Dennett, Richard Dawkins and Sam Harris!

Hidden Treasures - Biodiversity in Focus. This blog is making me feel inspired by fruit flies. Like, more than usual.

The Dragons of Malaysia by Ryan and AI:The Impossible Museum by Brian G George - Mad Art Lab. Very cool DIY art project about the sacred space in museums led to a very cool question: what would you want to see in an impossible museum?  Check out the comments & leave your own.

Making Art of Traumatic Heart Failure - Christine Ottery, CultureLab.

MizEnScen - Street Anatomy.

Blog post of the Scumble:  Wedding - Weapon of Mass Imagination. Congratulations to 3D paleo-artist and one of the masterminds behind ART Evolved, Craig Dylke and his bride Lady R!  They got married!

Scienceart of the Scumble: Archaeopteryx - Bond's Blog. 

© Peter Bond 2011 under CCL.

Gorgeous pair of Archaeopteryx by Peter Bond, for Craig Dylke's wedding! Check out Bond's Blog for a peek at one of his sketches for this stunning painting. 






- - - - - - - Original artwork on The Flying Trilobite Copyright to Glendon Mellow under Creative Commons Licence.

Etsy sale and one-day offer for $10 art!

Time for an Etsy sale! I've cut the prices on everything in my Etsy shop, including one of the slate paintings by more than 50%.

If you're interested in any of these pieces, feel free to contact me.

--->I'm also putting out a special call: I only have about a day left to renew my deviantArt Premium account which hosts glendonmellow.com and my professional portfolio.  I was hoping to have picked up a second part-time job by now, but it's a tough market.

So - for anyone who is willing to donate $10 or more using my PayPal button on the right sidebar, I'll mail them an original drawing or sketch.  Offer stands for the rest of today, until 7 am EST tomorrow. You can also contact me via theflyingtrilobite@gmail.com to discuss it if you want, and I can send a bill via PayPal that way.

(I'll be in and out of the studio today with some family commitments, so my apologies if I don't get back to you immediately.)

Help support Art in Awe of Science - I'd really appreciate it!
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(Edit, 9:30pm: thanks so much for the generosity of so many of you - I'll be able to keep my portfolio site going for the whole next year! For the sheer fun of it, I'll do as I said in the post above and keep the $10 minimum donation in exchange for an original drawing open until 7 am EST tomorrow. I really appreciate the support for my studio and my groceries.
Flying Trilobiteers rock. )


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Original artwork on The Flying Trilobite Copyright to Glendon Mellow under Creative Commons Licence.