Illustration blogging: why it's essential - a SONSI discussion

This post is mainly a supplementary series of links and points accompanying our discussion, "Illustration blogging: why it's essential" at SONSI's 2011 Presentation Day





"...The big problem isn't piracy, it's obscurity." - Cory Doctorow after Tim O-Reilly.

What is a blog?
-Definitions

-Creators, Groups and Curators (example1 example2 example3)
-Netiquette in the blogosphere (blogrolls, rss feeds)

Selected reading: Blogs: face the conversation, by Bora Zivkovic, A Blog Around the Clock.

Why do artists and illustrators need a blog?

-Self-promotion (Art Mondays)
-Community (#10oclockart)
-Who is it for? (remember the audience, pull back the curtain)

A brief note on the preciousness of your images: Let it go.
-Creative Commons Licences
-dying of exposure vs hoarding

Selected reading:
In the digital era free is easy, so how do you persuade people to pay? by Cory Doctorow, The Guardian. 

What do we want copyright to do? by Cory Doctorow, the Guardian.

Images.  

-How accurate is possible? 
-What are they for? Illustrating a point, showing off work, hoping for new work?
-The problem with heavy watermarks and disabling right-clicking.
Selected reading: How Not To Display Your Artwork on the Web, Charley Parker, Lines and Colors.

A brief note on the preciousness of your images: Protect everyone.
-TinEye
-Google Reverse Image Search
Selected reading: It's time for Illustrators to take back the Net, by Glendon Mellow, Symbiartic.

Common Blog Platforms

-Blogger
-Wordpress

-Tumblr
-Building a blog. Let's make one right now in session.
-Blogger Dynamic Views

Widgets and stats.

Twitter - Microblogging.



G+ - Why Google+ is the new hotness.
-A quick look 
-Circles

Why illustrators need to blog. Summary and further discussion.

A couple of fun links.
Should I work for free - Flowchart by Jessica Hische
See something, cite something - Flowchart by Rosscott, Inc.

If you attended the discussion and would like clarification or help with anything we discussed, comment or email me!  Happy to help.




- - - - - - - -

Original artwork on The Flying Trilobite Copyright to Glendon Mellow
under Creative Commons Licence.

Portfolio
Blog
Print Shop 

--> Find me on Symbiartic, the art+science blog on the new Scientific American Blog Network!

Reminder: SONSI Science-Art Talks in Toronto this weekend!



I'll be one of the presenters at this weekend's Southern Ontario Nature and Science Illustrator's series of professional talks.  These should be a great help to illustrators of all stripes, and I'm psyched about the day.
Here's a link to the official blurb, and I've re-posted it below.

Invitation to all illustrators in Southern Ontario:

SONSI's 2011 Presentation Day
October 16, 2011 
12:00 PM to 5:00 PM
Toronto's Harbourfront Community Centre
Assembly Room A
627 Queen’s Quay West, Toronto

Please join us for an afternoon of illustration-related presentations by members of the Southern Ontario Nature and Science Illustrators and a representative of Access Copyright. Light refreshments (coffee, cookies) will be provided.
For non-members, a $15 donation to SONSI is requested (or $10 for full-time students). This will help us cover the cost of facility rental and refreshments.

Space is limited so please register to attend by sending an e-mail to: sonsigroup@gmail.com


Agenda:
Arrive at noon, presentations begin promptly at 12:20.
12:20 pm to 1:30 pm "A Quick Look at Adobe Photoshop"
1:35 pm to 2:15 pm "What Access Copyright can do for Illustrators"
2:15-2:30 break
2:30 pm to 4 pm "Illustration Blogging; why it's essential"
4:10 pm to 4:50 pm "The Content of Contracts"

PROGRAM:
- - - 

"A Quick Look at Adobe Photoshop" by SONSI member Jeremy Loranger

Adobe Photoshop is one of the most powerful programs in an illustrator’s arsenal today. However useful it may be, Photoshop can also be quite a daunting program for newcomers. This presentation will serve as a brief introduction to the program as well as provide some very useful tips and tricks that are commonly overlooked in many tutorials. Proper file formatting for print and web, as well as web security for your work will also be discussed. Bring your questions!  


- - -
"What Access Copyright can do for Illustrators" by Margaret McGuffin of Access Copyright
Every day across the country individuals in schools, businesses and government copy excerpts from published works to obtain the valuable content they need to get their jobs done. But are you - the owners of that content - being compensated? If one of your copyrighted illustrations is published in a book, newspaper, magazine, or journal, then you need to find about becoming an Access Copyright Affiliate. Don't miss out on Payback! Also, Margaret will explain what grants The Access Copyright Foundation offers to creators of copyrighted material, including Research and Professional Development Grants. 


- - -

"Illustration Blogging: why it's essential" by SONSI member Glendon Mellow
How to dive into the online world of blogging and social media to find work, fulfilment and community. Worried about image theft and your copyright? Don't understand Twitter or G+? Want to see how easy it is to set up a blog?  Blogging your artwork can be essential in today's market - people expect to be able to provide feedback in numerous ways to images they find on the internet. We'll discuss the basics to the latest in social media for illustrators and how to be effectively busy online without losing control of your images and brand.

- - -

"The Content of Contracts" by SONSI member Emily S. Damstra
Wondering if it's really worthwhile to have your clients sign an agreement? Worried that your contract is missing something? Frustrated that the contract your client provided isn't quite what you had in mind? Hear from someone who has signed a lot of contracts in her career; learn from her mistakes as well as her successes.


- - -

The Southern Ontario Nature and Science Illustrators is a regional organization of illustrators whose works focus on science and nature.
Our goals are to:
  • Further our own professional development by learning from each other
  • Encourage each other toward higher standards of competence and ethics
  • Network and socialize with others having similar interests and work experiences
  • Support the intellectual property rights of visual artists
  • Promote our discipline to the general public and to potential clients
  • Educate the public about science and nature through our work
We meet every month or two throughout the year, primarily in locations between Kitchener and Toronto, Ontario, Canada. Anyone with a genuine interest in nature and science illustration is welcome to join.
For more information about SONSI please visit our website: www.sonsi.ca
- - -
Bios of presenters:


Jeremy Loranger has a Bachelor of Applied Arts in Technical and Scientific Illustration from Sheridan College and has been working freelance for 2 years. His work covers a broad spectrum including fine art, biomedical textbook illustration, exploded isometric assembly diagrams, video game production art, and 3D modelling. http://www.jloranger.com/

Margaret McGuffin is Director of Licensing and Distribution Services at Access Copyright. Prior to joining Access Copyright, Margaret worked as a consultant providing business planning and research services to organizations including the Canadian Songwriters Hall of Fame, Canadian Heritage and The Canadian Academy of Recording Arts and Sciences. Margaret has been involved in the formation and development of a large number of music industry collective management organizations including the Canadian Private Copyright Collective and the Neighbouring Rights Collective of Canada. Margaret currently sits on the Advisory Committee of MusiCounts which is a not-for-profit providing grants to schools across Canada for the purchase of musical instruments. She also spends a large amount of her free time in hockey arenas with her two children as a team manager and trainer. For more information about Access Copyright visit their website: http://www.accesscopyright.ca/

Glendon Mellow is a fine artist + illustrator whose projects have ranged from fine art commissions to tattoo design to museum display; appearing in magazines such as Earth and Secular Nation, in books such as Geology in Art and The Open Laboratory and sites such as io9.comHe has spoken at the Centre for Inquiry Ontario and at ScienceOnline.  Glendon is a co-blogger on the new Scientific American science-art blog Symbiartic and shares his art process at his blog The Flying Trilobite, and tweets at  @flyingtrilobite. His portfolio can be found at glendonmellow.com.

Emily S. Damstra has a Master of Fine Arts degree from the University of Michigan and has been a full-time freelance illustrator for eleven years. Her clients have included the Smithsonian National Museum of Natural History, The City of Kitchener, The University of Michigan Press, Natural History Magazine, The Royal Canadian Mint, The Calgary Zoo, and many more. Visit her website: www.emilydamstra.com

- - - - - - - -

Original artwork on The Flying Trilobite Copyright to Glendon Mellow
under Creative Commons Licence.

Portfolio
Blog
Print Shop 

--> Find me on Symbiartic, the art+science blog on the new Scientific American Blog Network!

Stupendous Upcoming SONSI Science-Art Talks


Really excited about the upcoming talks for the Southern Ontario Nature & Science Illustrators group at Harbourfront on October 16th - and I'll be giving one!

My talk is about why it's essential that illustrators have a blog and use social media, without being terrified of copyright infringement.

Here's the page about the day:

Invitation to all illustrators in Southern Ontario:

SONSI's 2011 Presentation Day
October 16, 2011 
12:00 PM to 5:00 PM
Toronto's Harbourfront Community Centre
Assembly Room A
627 Queen’s Quay West, Toronto

Please join us for an afternoon of illustration-related presentations by members of the Southern Ontario Nature and Science Illustrators and a representative of Access Copyright. Light refreshments (coffee, cookies) will be provided.
For non-members, a $15 donation to SONSI is requested (or $10 for full-time students). This will help us cover the cost of facility rental and refreshments.

Space is limited so please register to attend by sending an e-mail to: sonsigroup@gmail.com

Agenda:
Arrive at noon, presentations begin promptly at 12:20.
12:20 pm to 1:30 pm "A Quick Look at Adobe Photoshop"
1:35 pm to 2:15 pm "What Access Copyright can do for Illustrators"
2:15-2:30 break
2:30 pm to 4 pm "Illustration Blogging; why it's essential"
4:10 pm to 4:50 pm "The Content of Contracts" 

"A Quick Look at Adobe Photoshop" by SONSI member Jeremy Loranger
Adobe Photoshop is one of the most powerful programs in an illustrator’s arsenal today. However useful it may be, Photoshop can also be quite a daunting program for newcomers. This presentation will serve as a brief introduction to the program as well as provide some very useful tips and tricks that are commonly overlooked in many tutorials. Proper file formatting for print and web, as well as web security for your work will also be discussed. Bring your questions!  

Jeremy Loranger has a Bachelor of Applied Arts in Technical and Scientific Illustration from Sheridan College and has been working freelance for 2 years. His work covers a broad spectrum including fine art, biomedical textbook illustration, exploded isometric assembly diagrams, video game production art, and 3D modelling. http://www.jloranger.com/

"What Access Copyright can do for Illustrators" by Margaret McGuffin of Access Copyright
Every day across the country individuals in schools, businesses and government copy excerpts from published works to obtain the valuable content they need to get their jobs done. But are you - the owners of that content - being compensated? If one of your copyrighted illustrations is published in a book, newspaper, magazine, or journal, then you need to find about becoming an Access Copyright Affiliate. Don't miss out on Payback! Also, Margaret will explain what grants The Access Copyright Foundation offers to creators of copyrighted material, including Research and Professional Development Grants. 

Margaret McGuffin is Director of Licensing and Distribution Services at Access Copyright. Prior to joining Access Copyright, Margaret worked as a consultant providing business planning and research services to organizations including the Canadian Songwriters Hall of Fame, Canadian Heritage and The Canadian Academy of Recording Arts and Sciences. Margaret has been involved in the formation and development of a large number of music industry collective management organizations including the Canadian Private Copyright Collective and the Neighbouring Rights Collective of Canada. Margaret currently sits on the Advisory Committee of MusiCounts which is a not-for-profit providing grants to schools across Canada for the purchase of musical instruments. She also spends a large amount of her free time in hockey arenas with her two children as a team manager and trainer. For more information about Access Copyright visit their website: http://www.accesscopyright.ca/

"Illustration Blogging: why it's essential" by SONSI member Glendon Mellow
How to dive into the online world of blogging and social media to find work, fulfilment and community. Worried about image theft and your copyright? Don't understand Twitter or G+? Want to see how easy it is to set up a blog?  Blogging your artwork can be essential in today's market - people expect to be able to provide feedback in numerous ways to images they find on the internet. We'll discuss the basics to the latest in social media for illustrators and how to be effectively busy online without losing control of your images and brand.

Glendon Mellow is a fine artist + illustrator whose projects have ranged from fine art commissions to tattoo design to museum display; appearing in magazines such as Earth and Secular Nation, in books such as Geology in Art and The Open Laboratory and sites such as io9.comHe has spoken at the Centre for Inquiry Ontario and at ScienceOnline.  Glendon is a co-blogger on the new Scientific American science-art blog Symbiartic and shares his art process at his blog The Flying Trilobite, and tweets at  @flyingtrilobite. His portfolio can be found at glendonmellow.com.

"The Content of Contracts" by SONSI member Emily S. Damstra
Wondering if it's really worthwhile to have your clients sign an agreement? Worried that your contract is missing something? Frustrated that the contract your client provided isn't quite what you had in mind? Hear from someone who has signed a lot of contracts in her career; learn from her mistakes as well as her successes.

Emily S. Damstra has a Master of Fine Arts degree from the University of Michigan and has been a full-time freelance illustrator for eleven years. Her clients have included the Smithsonian National Museum of Natural History, The City of Kitchener, The University of Michigan Press, Natural History Magazine, The Royal Canadian Mint, The Calgary Zoo, and many more. Visit her website: www.emilydamstra.com


The Southern Ontario Nature and Science Illustrators is a regional organization of illustrators whose works focus on science and nature.
Our goals are to:
  • Further our own professional development by learning from each other
  • Encourage each other toward higher standards of competence and ethics
  • Network and socialize with others having similar interests and work experiences
  • Support the intellectual property rights of visual artists
  • Promote our discipline to the general public and to potential clients
  • Educate the public about science and nature through our work
We meet every month or two throughout the year, primarily in locations between Kitchener and Toronto, Ontario, Canada. Anyone with a genuine interest in nature and science illustration is welcome to join.
For more information about SONSI please visit our website: www.sonsi.ca



- - - - - - - -

Original artwork on The Flying Trilobite © to Glendon Mellow
under Creative Commons Licence.

Portfolio
Blog
Print Shop 

Lookee here--> Find me on Symbiartic, the art+science blog on the new Scientific American Blog Network!

Under the microscope - interview at Mobius ASI

Over on Mobius Art and Science Initiative, I answer some questions about two of my more difficult-to-blog art tactile pieces for Ruthanna Gordon. We discussed the use of my art to make puzzles, describe economics, Sean Craven's genre term "evopunk", and more.




- - - - - - - - 

Original artwork on The Flying Trilobite Copyright to Glendon Mellow

Trilobite Boy featured on io9






Trilobite Boy and some of my other paintings and drawings were featured on io9 this morning, written up by editor-in-chief Annalee Newitz.  Trilobite Boy appeared right on the front page between Captain America and Captain Jack Sparrow.

The article is a lot of fun, and yes, I'd love to work with James Cameron on the next Avatar.  Or Gore Verbinski, George Lucas or Guillermo del Toro, for that matter. ;-P

Thanks to Marilyn Terrell for sharing Trilobite Boy with Annalee in the first place!

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Original artwork on The Flying Trilobite Copyright to Glendon Mellow

Flying Trilobites invade Loving Chasmosaurs

That blog title sounds wrong. 



Today David Orr of Love in the Time of the Chasmosaurs has an interview with me on his blog.  Check it out!  David's interviewing style is multi-layered.  We discussed ScienceOnline11, the future of the internet (!) and where I stand on scientific illustration.

David has a whole series of these interviews I'm proud to be a part of, including with Brian Switek, Nobu Tamura, Mark Witton and more. You can find them all at the interview label

- - - - - - - - 


Original artwork on The Flying Trilobite Copyright to Glendon Mellow

ScienceOnline11 - Science-Art session now online!



The ScienceOnline11 session Science-Art: The Burgeoning Fields of Niche Artwork Aimed at Scientific Disciplines is now online here!  Or you can watch it below.

ScienceOnline encourages an unconference format - no lecture-lecture-lecture-questions here.  Instead, we present some images, some background pose a few questions, and then engage the participants. Comments are appearing on the ScienceOnline site already.  The audio is a bit off the first few seconds and then quickly sounds really clear.

Topics covered include a wide range:
  • How do artists online decide when to charge and when to allow use for free?
  • The changing face of neandertals with society's sense of liberalism.
  • Can art influence research?
  • How important is accuracy?
  • Why do scientists create art?
  • Why do artists engage science?  And more. 


 




Science-Art H264 Widescreen 960x540 from Smartley-Dunn on Vimeo.




I'd like to thank my co-moderators John Hawks and David Orr again for making the session so engaging and insightful, as well as our in-room and online participants.  And especially I'd like to thank the video editors and technicians on hand that day. Bravo Smartley-Dunn.

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Original artwork on The Flying Trilobite Copyright to Glendon Mellow

Peer Review Radio: Why Palaeontology?

Recently I was interviewed by Adrian J. Ebsary for Peer Review Radio, out of Ottawa.  It was part of a series of interviews about palaeontology that includes Gary Vecchiarelli, Brian Switek and paleoartist Ron Maslanka - all in one episode.

You can listen to the podcast at Peer Review Radio #16: Why Palaeontology?

There are also more podcast and video interviews with me speaking about art, science, and fossils on my Media page, found at the top of the blog.

- - - - - - - - 


Original artwork on The Flying Trilobite Copyright to Glendon Mellow

Charlotte Observer Blog Spotlight

Today on the Charlotte Observer Science & Technology Blog Spotlight, you can find an interview by Tyler Dukes with me, done while I was attending Science Online 2011.  It's called, Blending art and science with a little fantasy.

For more media interviews and podcasts about my own artwork and the science-art scene at large, you can see my Media page. I've done a number of interviews lately, and it's really opened my eyes to new facets of the science-art impact.  The questions are varied and intelligent.  Tyler, like Desiree, Mike and Adrian and the others, had done his homework and looked at the usefulness of science-art in an interesting way. 

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Original artwork on The Flying Trilobite Copyright to Glendon Mellow